| SA Thrilled by Homegrown Blockbuster |
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Thursday, 27 August 2009 South Africans are finding all kinds of ways to express pride about District 9, a locally produced movie that has turned into a blockbuster in the United States. Filmed for only US$30million, it more than returned costs when it garnered $37million on its opening weekend in the US. For good measure, it charted much better than some films with significantly larger budgets. US moviegoers aren't the only ones who are surprised. South African newspapers are full of praise and already starting talk about a possible Oscar. District 9 isn't just a low-budget film. Its appeal lies in using unknown newcomers for key roles and setting them in a high-tech genre that sometimes contrasts sharply with the African setting. The film is about aliens from outer space whose damaged spaceship has been floating over Johannesburg for almost three decades, like a metallic cloud. Its inhabitants are cooped up in a giant refugee camp where crime, unemployment, alcoholism and lack of public service colour everyday life. Just like in real life, locals start demanding the eviction of their unwanted neighbours. In some ways, the film unintentionally became a kind of social satire. "It was a sort of irony that we were filming about alien refugees in Soweto a week before violence against foreigners broke out in the township of Alexandra," said Sharlto Copley, who plays the main character, Wikus van der Merwe. Thus, while the Soweto suburb of Tshiawelo was dealing with cinematic issues of segregation, xenophobia and brutal attacks in May 2008, the genuine article was playing out just a few kilometers away, in bloody reality. Thousands of foreigners were brutally forced out, wounded and killed in a wave of xenophobic attacks. But the similarities between art and South African life don't end there. Even the title, District 9, harkened back to District Six, a well-known coloured district of Cape Town, where a broad mix of people were forced out thanks to the old government's apartheid policies. The filming was completed in just two months under the direction of Neill Blomkamp, 29, a Canadian who grew up in Johannesburg. The local tie means its no surprise that the aliens are named after Johannesburg's "Parktown prawns" - harmless, but huge and disgusting crablike creatures, that are the bane of many a Johannesburg housewife. In the movie, the prawns seem to be completely incomprehensible beings from outer space, until a series of events - broadcast live on international TV - changes everyone's mind. The unexpected success of the movie is turning into a significant boost for South Africa's film industry. Relatively young, it has, nonetheless, established the country as a good filming location with decent infrastructure. Until now, films from the region have been largely forgettable, but the industry is growing more confident. While moviegoers of all colours continue to laugh at slapstick movies like Mr Bones, there is also a market growing abroad for South African films like the gangster-movie Tsotsi or the operatic film version of Carmen in Kayelitsha - both of which have put the quality of South African films firmly in the spotlight. Sapa-dpa |
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